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帯化/造園計画
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WORLDWATCH

by 揚(yo)

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  • Cassette + Digital Album

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      ¥2,000 JPY or more 

     

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Old Mutant 05:53
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Poor Play 05:12
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Mountain 04:39
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DROP BEATER 06:26

about

The bass undulates like ink flowing over a sumi-e painting, accompanied by intermittent tribal beats. A cacophony of voice effects and backing guitars.

水墨画の上を走る墨のようにうねるベースと、間歇的に挿入されるトライバルなビート。喧騒のように行き過ぎるボイスエフェクトとバッキングギター。

This sonic landscape, inspired by video game BGM, elegantly blurs and gradually pulls the camera back to a fixed point. A deep, ebony abstract dub painted with the gaze tracing each track, each bearing the name of a movement in a fantastical world.

ゲームのBGMから影響を受けたという音像は、幻想的に滲みながらカメラを定点にまで後退させる。架空の世界のムーブメントの名前を冠するそれぞれのトラック(可能世界)を経巡る視線で描かれた、漆黒のアブストラクト・ダブ。

The first album from Yo, an electronic musician who inherits the name from the sumi-e artist Sesshu Toyo, has been released by the independent label <Zouen Keikaku>.

水墨画家、雪舟等楊=拙宗等揚からその名を引き継いだ電子音楽家、揚の1stアルバムがインディペンデントレーベル<造園計画>よりリリース。

While retaining echoes of Geinouyamashirogumi-esque caricatured folk music, Yo seeks a more virtual essence and resonates with the intensified tribal beats found in game BGM like "EVERGRACE" and "GARAGE". Simultaneously, he draws significant influence from Japanese dub acts like GOTH-TRAD and incorporates the "hardness" reminiscent of 54-71's "ska-core" aesthetic.

芸能山城組的な戯画化された民族音楽の気配を湛えつつ、揚はよりバーチャルなものを求めて、『EVERGRACE』、『GARAGE』などのゲームBGMのなかで過激化されたトライバルなビートに共感する。同時に、GOTH-TRADなどの国内ダブにも多大な影響を受け、さらに54-71の「スカコア」の美学までも飲み込んでいくような「硬さ」を同居させる。

The cassette tape is uniquely crafted with a tracing paper Obi affixed to the main body, and it includes a DL code along with a mini booklet.

カセット本体にトレーシングペーパーで作られた帯が取り付けられた特殊仕様。DLコードとミニブックレットが付属する。

credits

released November 8, 2023

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揚(yo) Tokyo, Japan

Experimental Dark Dub from the bottom of the bad dream.

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